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Just as we have added GameFramework support for textures and fonts, so we will add support for sound effects too. This support is implemented using another Dictionary within the GameHost class, this time named SoundEffects. The declaration of the dictionary is shown in Listing 5 2. Listing 5 2. The SoundEffects dictionary present within the GameFramework.GameHost class // A dictionary of loaded sound effects. public Dictionary<string, SoundEffect> SoundEffects { get; set; } We can then use the dictionary to load sound effects in the same way as we do for textures and fonts, and can access the dictionary items anywhere within the game. The SoundEffects example project that accompanies this chapter shows how sound effects can be loaded into the game engine and then played back. It loads four different samples (named EnergySound, Piano, MagicSpell, and Motorbike) and divides the screen into four regions to allow each to be played. Experiment with the project and with playing multiple sounds together. The example project also sets the sound effect s panning based on the horizontal position of the screen tap. Tapping the left side of the screen will pan to the left; tapping the right will pan to the right. Try experimenting with changing the source code to produce different volume levels and different pitches, too.

A few details about the server software are included in the center and right node descriptions In this example, you can see we have a tiered application, with an application server housing components and classes of the application Two database servers are present We have our main MySQL database server containing our customer information database Additionally, we ve included a node for a legacy SQL Server database currently housing scheduling information, which is connected to the application server via a web services API In large organizations, it is common to have this sort of arrangement of legacy software and services When the organization decides to move the scheduling information out of the SQL Server database and onto the MySQL server, a new deployment diagram would outline the new model.

The GLCanvas and callback technique outlined in the last section is used in the CubeGL application to rotate a colored cube around the x-, y-, and z- axes. Figure 15-3 shows a screenshot of the cube in action.

Calling the Play method on a SoundEffect object provides a very easy way to get a sound playing, and in many cases this will be sufficient. For gunfire, explosions, player achievement sounds and all sorts of other one-off effects, this is likely to be all that you need. In other places, however, you might find that a greater level of control is needed over the sounds that you play. The ability to loop a sound, for example, can be very useful, but the functions provided by the SoundEffect class alone cannot offer this ability. The main reason is that we would have no way to stop the sound; we don t obtain a sound ID value or anything similar, so once several sounds were active we would be unable to tell the class which one it should stop. This problem is resolved by the inclusion of the SoundEffectInstance class. Instances of this class are created by calling the CreateInstance method of a SoundEffect object. SoundEffectInstance objects are very similar to SoundEffect objects, with the following key differences: Each instance can play only one sound at a time. Calling Play multiple times will have no effect. To play multiple sounds simultaneously using sound effect instances, multiple instance objects would need to be created from the underlying SoundEffect. The Volume, Pitch, and Pan of an instance are specified using class properties rather than as parameters to the Play method. This allows the properties to be easily altered after the sound has started playing. SoundEffectInstance objects contain a property named IsLooped that can be set to true to instruct the sound to loop.

As plans for the proposed integration occurred, it would be critical to have a deployment diagram outlining the physical and logical effects of the change On the project level, a deployment diagram serves to illustrate the overall communication methods among the application nodes A database administrator can use a project-level deployment model to configure database and server software to maximize efficiency for the given communication protocols and methods Enterprise-level deployment diagrams give the database administrator a higher view of the application s role in the entire company s systems and hardware deployment This type of deployment diagram is a static picture of an enterprise s entire database, application, and network As a database administrator, you use these deployment diagrams to graphically represent the bird s-eye view of your enterprise s hardware infrastructure In a sense, the diagram represents your strategy for most effectively structuring your production environment.